SCAD is shaping the future of fashion

Choosing the right career path is no easy feat. It requires months, if not years, of introspection and observation to figure out your passion. But just being passionate about something is not enough; you need to possess the skill set to gradually climb the ladder to the top. This is true of any industry, even one that is as booming as fashion. Thankfully, there are universities that have made it their mission to equip young and aspiring designers with all the tools they need to make it big. Savannah College of Art and Design (SCAD) is one such university. It is a private, non-profit, accredited university that was founded by President Paula Wallace in 1978. Since then, it has launched the careers of some of the most prestigious names in the fashion world.

With more than 100 graduate and undergraduate degree programmes across locations in Atlanta and Savannah, Georgia; Lacoste, France; and online via SCADnow, SCAD offers one of the most elite, connected, and comprehensive fashion programmes in the world. It offers degrees in fashion, accessory design, jewellery, fibres, fashion marketing and management, and luxury and brand management. Most recently—SCAD launched two degrees in collaboration with Google—a B.F.A. in user experience design and a B.F.A. in user experience research—in addition to a B.F.A in the business of beauty and fragrance and a minor in sneaker design.

The curriculum at SCAD uses professional-level technology combined with advanced learning resources, internships, professional certifications, and real-world assignments with corporate partners through SCADpro. The university ensures its students are ready to take on the fashion world and grow to be strategic and imaginative leaders who are ready to develop new runway collections, jewellery lines, and more.

We spoke to Kimaya Pariat, a student at SCAD who graduated in 2023. Hailing from Shillong, India, Pariat is a rising star. SCAD provided her with an environment that moulded her artistic skill set; and this month, Pariat began a design apprenticeship with one of India’s leading fashion labels Arjun Khanna.

Read on to know all about her SCAD senior fashion collection—NO SIZE: Redefining Fashion through Inclusivity, Structural Innovation, and her view of the fashion world. 

Harper’s Bazaar (HB): Tell us about your collection, "NO SIZE: Redefining Fashion through Inclusivity, Structural Innovation". What is the inspiration behind it?

Kimaya Pariat (KP): The inspiration behind my collection stems from my personal experience of watching my body change. It added a deeper layer of meaning and authenticity to my work. Through fashion, I explore the emotions and challenges that come with weight fluctuations. My objective is to convey the message of self-acceptance. This can be achieved by creating garments that do not have a size. By using draping techniques that flatter and celebrate the body in all its forms, I am promoting body positivity and challenging the notion that beauty isn’t tied to a specific size or shape. My designs can inspire others to feel empowered and confident in their own bodies. Overall, my collection showcases my design skills through a connective thread that sheds light on a common struggle faced by most people.

HB: Walk us through your process of creating this collection.

KP: I had the concept set in my mind. So, my design process began when I started exploring various ways of executing my concept and trying different techniques to manipulate fabrics for structural purposes. Instead of focusing solely on aesthetics, my goal was to create shapes that were bold and gigantic, pushing the boundaries of traditional design.

Throughout the design process, I remained conscious of not limiting myself to a specific size. This mindset encouraged me to think creatively and consider the garments' ability to drape and flatter various body types. By removing the constraints of size, I was able to approach design from a more inclusive perspective, ensuring that my collection would celebrate and accommodate different shapes and sizes. 

HB: How has SCAD shaped you to have a successful career in fashion?

KP: I wouldn’t be the designer I am today without SCAD. The university’s comprehensive education, industry focus, faculty expertise, state-of-the-art facilities, networking opportunities, global perspective, and professional development initiatives have played a pivotal role in shaping me into a well-rounded professional. They’ve prepped me to step into the industry and strive for success. 

HB: What are a few fashion trends you hope stay on the runways and a few you don’t want to see again?

KP: I am currently fascinated by a trend seen on the recent Valentino runway. They skillfully transformed embroidery to resemble the appearance of denim. However, I could do without pedal pushers or low-waisted jeans!

HB: According to you, what is the importance of sustainability and inclusivity in fashion?

KP: Embracing sustainability and inclusivity in fashion encourages creativity and innovation. Finding alternative materials, developing new manufacturing techniques, and creating inclusive designs in line with the diverse range of body types can be a challenge for designers. But with this challenge come innovative and ground-breaking solutions that can inspire change for the entire fashion industry. 

HB: What are some lessons you learned at SCAD that you will carry with you throughout your career?

KP: I have been given a global perspective on fashion trends, markets, and cultural influences by SCAD's multinational and diverse student body. This exposure to different perspectives has been crucial in understanding the evolving international fashion landscape and adapting to diverse consumer preferences.

HB: Who are some of your biggest fashion muses?

KP: Some of my biggest fashion muses include Martin Margiela, Maison Schiaparelli, Jonathan Anderson at Loewe and Thom Browne.