Atelier Ashiesh Shah introduces the Swayam Collection: A tribute to the infinite

In Atelier Ashiesh Shah's most recent collection, Swayam, the invisible and the infinite—concepts that frequently defy description—take on concrete form. The anthology explores the cycles of continuity and renewal that shape existence, delving deeply into the concept of self-generation. In order to produce works that defy perspective and convey the boundless, it reimagines traditional Indian geometry and incorporates contemporary aesthetics.

In Swayam, everything stretches below the traditional "groundline," signifying life's unending flow. This intentional change in viewpoint, where traditional customs and modern workmanship collide, provides a distinctive understanding of the interplay between space, time, and design

This careful synthesis reveals Atelier Ashiesh Shah's perspective, fusing innovation and tradition to create products that are as useful as they are beautiful.

Highlights of the collection

The collection's centrepiece is the Garbhagriha Mirror. The six-inch Aranmula Metal Mirror from Kerala, which is renowned for its unmatched clarity, is incorporated into the mirror, which is made from an old alloy of tin and copper. The collection's idea of self-generation is embodied by this handcrafted item, which has its roots in the Vishwakarma tradition. Its dark blue edges create crescent-shaped spaces that encourage reflection and introspection. The Garbhagriha Mirror becomes a symbol of unending regeneration since it captures the soul rather than just reflecting an image. 

The traditional Channapatna workmanship is given a modern twist with the Channapatna Panel Black. The pattern incorporates black beads hung like pearls, emulating the protective symbolism of the nazar ka dhaga (evil eye thread), which was inspired by the shape of a cosmic egg. This elaborate work skilfully combines maximalism with minimalism to create a delicate yet potent object. It encourages introspection and transforms ordinary design into a meditation on balance and energy.

The Bidri Ikebana Set, which combines the skill of Bidri craft with the Japanese floral arranging technique, is equally remarkable. Modular Bidri flowers that can be stacked and assembled to produce an infinite number of patterns are a reimagining of spiked holders, often known as "frongs," which are commonly used in Ikebana. This whimsical, adaptable artwork honours the flexibility of design and changes rooms with its plasticity.

The Hand of Adam side table completes the set; it is made of wrought iron and has a perforated top that can be used to contain citronella or incense. Its eight circular apertures allow smoke to flow gently, fusing art and utility. Swayam's ability to give commonplace items multiple levels of meaning while preserving their aesthetic integrity is exemplified by this sculpture.

The philosophy behind SWAYAM

Swayam is a philosophical investigation rather than merely a collection. It represents the atelier's continuous dedication to creative craftsmanship and the uplift of conventional craftspeople. Shah pushes the limits of Indian design to produce works that are both modern and firmly anchored in tradition, timeless yet revolutionary.

The series is a contemplative look at self-generation and regeneration, inspired by the invisible cycles of life beneath the surface of the planet. Each item demonstrates that design is both a conversation with the past and a stride towards the future by bearing the weight of tradition while advancing into unexplored creative terrain.

All images: The brand 

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